James Perone - Papers and Guest Lectures presented:

• "Daniel Webster Crist: Ohio Composer and Music Publisher." Presented to a joint meeting of the Alliance Historical Society and the Alliance Alumni Chapter of Mu Phi Epsilon, Rodman Public Library, February 16, 2009. Presented in truncated form at the Great Lakes Chapter Meeting of The College Music Society, March 27, 2009.
• "Mods, Rockers, and the Music of the British Invasion." Faculty Research Forum, Mount Union College, October 23, 2008. Presented in expanded form at the monthly meeting of the North Coast Triumph Association, Aurora, Ohio, November 7, 2008.
• "Why Tapestry: Carole King's Breakthrough Album and the Women's Movement." National Women's History Month Convocation, Mount Union College, March 23, 2006. Also presented at the Forty-Ninth Annual Meeting of The College Music Society, San Antonio, Texas, September 15, 2006.
• "Dr. Gen Ed, or How I Learned to Love Music in General Studies." Great Lakes Chapter Meeting of The College Music Society, April 2, 2005.
• "When Protest Became Pop: The Strange Case of 'Eve of Destruction.'" Annual Faculty Lecture, Mount Union College, March 17, 2005.
• "Nature's Instrument: The Native American Flute." Huston-Brumbaugh Nature Center, Mount Union College, August 15, 2004.
• "Recursive Structures in Music." Faculty Research Symposium, Mount Union College, April 9, 2003. Also presented at the Forty-Sixth Annual Meeting of The College Music Society, Miami, Florida, October 5, 2003.
• "The Compositional Technique of William Albright." MidAmerica Center for Contemporary Music New Music and Art Festival. October 18, 2001.
• "Establishing a Motive: Dynamic and Rhythmic Shaping Based on Melodic Motives in Clarinet Works of Willson Osborne and Robert Schumann." International Clarinet Association' ClarinetFest 2001. August 16, 2001, New Orleans, Louisiana.
• "What a Tangled Web: Aspects of Large-Scale Structure in Paul McCartney's Band on the Run." Accepted for presentation at the Beatles 2000 Conference, Jvyaskaya, Finland, June 17, 2000. Severe weather in Chicago caused me to miss my connecting flights and the lack of available seats on later flights made it impossible for me to reach Finland in time for the presentation.
• "Caroline Schleicher-Kraehmer: Early Nineteenth Century Clarinetist and Composer." National Women's History Month Convocation (lecture/recital), Mount Union College, March 2, 2000.
• "Everybody's Doing the Loco-Motion: Carole King, American Composer." National Women's History Month Convocation, Mount Union College, March 25, 1999.
• "Text Setting in the Musical Compositions of Brian Wilson." Spring Faculty Research Forum, Mount Union College, February 6, 1997. Great Lakes Chapter Meeting of the College Music Society, March 15, 1997.
• "'But It Doesn't Say to Breathe There': A Comparison of Three Editions of the Rose 32 Etudes for Clarinet and the Basis for a Fourth Edition, Based on Voice Leading and Grouping Principles." Thirty-Ninth Annual Meeting of the College Music Society, October 27, 1996.
• "Texture, Pitch-Cell Treatment, and Heterophony in the Music of William Albright." Great Lakes Chapter Meeting of the College Music Society, April 20, 1996.
• "Gestalt Grouping Theory: A Practical Musical Application." Fall Faculty Research Forum, Mount Union College, October 2, 1995.
• "Alternate Radings of Group Structures in Solo Clarinet Works of Stravinsky and Cage." Thirty-Seventh Annual Meeting of the College Music Society, October 22, 1994.
• "Chromatic Harmony in the Waltzes of Scott Joplin." Florida State University Music Theory Forum, February 5, 1994. Also presented at the West Coast Music Theory and Analysis Conference, March 26, 1994 and at the College Music Society Northeast Chapter meeting, April 16, 1994.
• "Schumann and Brahms: The Men, The Myth, and The Music." Lecture/recital. Villa Maria College of Buffalo, March 25, 1993.
• Composition lecture/demostration. Genesee Community College (Batavia, New York), December 4, 1991. Funded in part by Meet The Composer, Inc.
• "What to Hear in Stravinsky." Pre-concert lecture for the Buffalo Philharmonic Orchestra concerts, Kleinhans Music Hall, March 15 and 16, 1991.
• "Using Copland's Three Planes of Listening." Pre-concert lecture for the Buffalo Philharmonic Orchestra concert, Kleinhans Music Hall, January 31, 1991.
• Appearance on WKBW-TV's program "AM-Buffalo," discussing the history of and performing a number of musical compositions of the Christmas season, December 19, 1989.
• "The Curious Origins of the Songs of the Christmas Season." Lecture for the semi-annual meeting of the Society of American Military Engineers (Buffalo, New York), December 13, 1989.
• "Texture, Pitch-Cell Treatment, and Heterophony in the Music of William Albright." Lecture, State University of New York at Buffalo, April 6, 1989.
• "Acceleration in W.A. Mozart's Serenade No. 12 in C Minor, K. 388, First Movement." Florida State University Music Theory Society Forum, March 8, 1986.
• Composition lecture/demonstration. Genesee Community College (Batavia, New York), March 6, 1986. Funded in part by Meet The Composer, Inc.
• Composition lecture/demonstration. Genesee Community College (Batavia, New York), April 12, 1985. Funded in part by Meet The Composer, Inc.
• "Verdi's Looking Glass: The Nineteenth Century Italian Operatic Treatment of the Clarinet as Reflected in the Clarinet Etudes of Labanchi and Cavallini." State University of New York at Buffalo, November 27, 1984.